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Opened by Bob Hawke, a former Prime Minister of Australia, at Nanda Hobbs Contemporary 66 King St Sydney, Louis Pratt's new exhibition of sculpture is a cracker. Dealing with issues of greed and corporate arrogance, it was described by the Director of the Gallery as their most important to date and pulls no punches in its political statement about the mining and export of coal.

The Apple SeriesThe Apple Series

Pratt uses coal itself as the medium for his sculptures, pulverised and reconstituted with resin, then overlaid with gold leaf to create a visually potent work heavily laden with metaphor and meaning.

Spring WaterSpring Water

Zoo YorkZoo York

Its not only environmental issues discussed however; Pratt lays it on the line where corporate culture is concerned, leaving the viewer in no doubt as to where his politics lie on the Green-Capitalist spectrum. With works such as "Snake Skull", "Business As Usual" and "Retirement" he comments eloquently on the hypocrisy embedded within the business community. And of course the irony of these works being for sale at not-insignificant prices cannot be ignored. A detail I found particularly appealing was the gold lapel pin COAL attached to one of the garments.


Suit and TieSuit and Tie

Many of these works are actual high-fashion corporate garments recently purchased, soaked in resin and coated in gold leaf. The nails pinning the three elements of "Retirement" to the wall are shiny brass-plated nails; likewise the knife thrust into the leather jacket of "Business as Usual", metaphorically stabbing the wearer in the back. Not everyone in the large audience on opening night would see that those ties hanging on the wall are also nooses.

Hung SalesmanHung Salesman

Business as UsualBusiness as Usual

Not all the works in this show are as successful of course; I found the bucket of gold-coated coal nuggets in "Fools Gold" rather twee with its rotating coloured lights. I got the reference to an imitation coal-fired heater, but it just didn't work for me. However I did particularly enjoy the graphic work, a set of four prints in black and gold leaf. As they are framed under glass, the reflections prevented me from photographing them successfully. So do get along to see the exhibition, which is open until 18th December; this is one not to miss.


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