AMILTON D E S I G N G L A S S The artwork of Jeffrey Hamilton

New South Wales lost an enthusiastic and talented practitioner this month. Alison was much loved within the community, always bright and cheerful, full of energy and passion for all things glass.

An avid collector and intrepid traveller with her partner Michael, who she referred to as the "world's best roadie", Alison attended several Ausglass Conferences and continued to broaden her skills with many workshops, including glass painting in Italy

She worked from a home studio in Jilliby, an idyllic bushland community on the NSW Central Coast. Probably Alison's best work is a beautiful commission for St Cecelia's Church, restrained and elegant. An image can be found in the Gallery section of her website Creative Moods Stained Glass

On Thursday 8th January I loaded up the station wagon with glass, lead and tools from Australian Stained Glass Supplies in Leichhardt and headed North the next day toward Bellingen. I was booked to teach a group of 7x students the basic craft of leadlighting, aiming to instill a passion for stained glass; by the end of 5x days solid work I think I achieved that aim. Everyone enjoyed themselves and seemed to be pleasantly surprised by what they made during the week.

Camp Creative is held in Bellingen every year, with the whole town getting behind it. Around 1,000 students participate in everything from Chinese Calligraphy through Saxaphone and Drumming to making a fountain out of bamboo cut from the surrounding bush. Many students come back year after year, taking on different skills each time or pushing their previous course to new heights.

I've been teaching stained glass and leadlight at Sydney Community College's Rozelle Campus for a year now; some very happy students have just completed the first term of 2014. It was a large class of 16x students but each one of them very enthusiastic and keen to learn the ins and outs of the craft.

Taking a break now for a short while; next Term starts at Rozelle campus 15th July, each Tuesday night from 6.30pm till 9pm. Cost is $349incl. GST For enrolments go to the SCC website

Well not actually a new class but a new one for me: I've taken over from the previous tutor who had to disappear overseas at short notice. And it's going really well! We've just finished the 4th week and I'm thrilled with the student's progress. All 5x are beginners (though one chap has some experience with foil work) and they are taking to the craft with enthusiasm and dedication. I get home very tired of a Monday night but I do enjoy the teaching process.

Each of the students have been able to spend time on their projects at home, which really helps with their progress. And being a small class I'm able to spend quite a bit of time with each person. As well as their individual projects I bring in items for discussion each week such as the Maroubra Anglican Church commission currently underway and magazines like Stained Glass Quarterly for them to borrow.

We have one more week to go, then a two week break. Another 8x week Session begins 22nd July. Several of the current students will be re-enrolling to tackle more advanced work but there is plenty of space if you are considering learning the craft. Enrolments can be done online and all relevant information is available on the Sydney Community College website

Have just installed a new contemporary commission for a private residence at Wamboin in NSW (between Bungendore and Canberra). I installed the front door and sidelights late last year; this is the bathroom window. The images below show, from left to right, the full-size charcoal cartoon, the glass all cut and laid out over lights and the installed window. Extensive use has been made of Lambert's mouthblown glass, the same glass that was installed in the sidelights (laminated to comply with Australian building codes) and used in the front door stained glass panels.

The artwork describes my wonderful two hour walk through the 600acre property where the house is nestled, facing west, and also refers to the music of Australian composers
Peter Sculthorpe and John Antil. Having completed the work for the front
door a few weeks prior I needed to steep myself in a musical response to the Australian
landscape for inspiration in creating the imagery for this window.

Thanks to a referral by Seraphina Martin, a regular teacher at Camp Creative, I took a class of beginners in leadlighting this January. We were in one of the woodwork rooms at Bellingen High School and I had 15x very keen students, most of whom had never cut a piece of glass before. The results by week's end were nothing short of amazing.

It was pretty warm most of the week and for me very exhausting: with 15x students I was on the go constantly. But I did manage to enjoy the ambience of Bellingen, heading down to swim in the waterhole at beautiful Gleniffer late in the afternoon or chilling out in the excellent cafes and restaurants. And my gracious host made me breakfast each morning which was very welcome and a great start to each day.

There is lots of interaction at Camp Creative between the various courses being run and the whole town gets behind it. The wife of one of my students was learning ukulele; my billet was studying solar printing with Seraphina; there were concerts at lunchtime and evenings and on the Friday students are encouraged to wander through all the classes to see the results on display. The whole shebang finishes with a huge concert on the last night

Rather than dash back to Sydney in one hit I drove as far as Forster/Tuncurry and stayed the night there. Enjoyed a stroll along the sea wall Sunday morning, watching fishermen, pelicans and dolphins play, followed by pancakes overlooking the lake: heaven! The cool, rainy weather was no doubt a God-send for all the firies battling blazes around the State but it put a damper on my plans for a surf along the way back home. But I did take time to explore Cape Hawk in Booti Booti National Park (under an umbrella) and enjoyed the drive through the forest to Bulladelah.

Since I was passing Newcastle anyway I decided to detour and drive along the foreshore to Merewether, a short distance inland from Bars Beach. Now that the Wamboin window is complete I'm ready to launch into "Holy Orders", third in a series of 5x small windows for the side chapel of St Augustines Anglican Church at Merewether. This was actually the first time I'd seen the two windows together, since it was dark and I was exhausted by the time I'd finished installing Baptism and Confirmation, the left hand window.

Several new commissions feature in this blog: kitchen windows in Surry Hills, an entryway in a lovely old home at Milson's Point on Sydney's Lower North Shore and a private chapel at a country property near Cessnock.

Regular readers of this website might remember images of this project in Milson's Point underway on my ABOUT page, showing the original door as a solid timber door with a fanlight above. The commission called for the replacement of the 4x timber infill panels with glass, which entailed quite a bit of onsite work. The photos were taken just as I'd completed the installation but prior to the stripping and painting of the timberwork. I used a collection of found bevels from old leadlights and while there was a need to respect the original fanlight I was asked to provide something more upbeat and contemporary.

The two photos above show a pair of windows installed as highlights over the back entrance of a Surry Hills residence just three weeks ago. I had a lot of fun with this design; it is intended to pay respect to an existing traditional leadlight in the adjacent bathroom and also takes its cue from the black and white rectangular tiling in the kitchen. Here again I've used some 'found object': an interesting bevel out of an old leadlight and some cast jewels and rondels.

This window was a really enjoyable project to work on. Commissioned by Liz Mullinar, Director of Heal for Life the window sits above a door leading from the bedroom to a chapel and was intended as an inspirational piece for private devotion. The house is situated on a beautiful property in the Quarrabolong Valley near Cessnock, about 2 hours north of Sydney, with panoramic views of rolling hills, farmland and distant bushy ranges.