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2.5 days with guest instructor Australian artist Jeff Hamilton
Friday evening-Saturday-Sunday: 20, 21, 22 October 2017
Zoetermeer, NL (near Den Haag).

This workshop will provide the opportunity to bring your work to new levels and tap into new creativity in stained glass design. Come with an open mind!

Workshop presented in English. Minimum 4, maximum 6 persons.

Instructor: Jeffrey Hamilton, Hamilton Design Glass, Surry Hills NSW, Australia
"Jeffrey Hamilton is an artist with more than 30 years experience. He is passionate about most forms of art and specifically painted glass. He graduated in 1974 with a diploma in Interior Design from Randwick College where attention to detail and fine craftsmanship was emphasized. In 1979 he began training as a glass painter, first concentrating on religious windows. Over the years he has been hugely involved with, and inspired by, the art scene in Sydney".

Workshop participants must have some experience in stained glass design / glass cutting, and stained glass painting.

Objectives:
- To consider design as it applies to stained glass
- To complete several challenging and practical exercises that will focus the mind and provide the opportunity to apply experimental ideas
- To facilitate comparative analysis amongst one's peers, and so lay the groundwork for unexpected insights
- To establish an appreciation of drawing as a core practice

During the workshop participants will be provided with: paints, mediums, glass, use of the kilns, food, drinks/coffee.

A workshop participant is entitled to a 10% discount on all paintbrushes, 5% discount on all sets, and 10% discount on all paints in stock purchased from PELI Glass. This is valid from time of payment until one month after the workshop.

Testimonials for Jeff Hamilton

"Wanted to let you know how impressed I am with your course. Will be referring you to the committee in my survey response... From you we received great tuition, well structured, very well prepared and very personable. As a bonus we were given insights into the technical aspects of stained glass and its history. This year's course (2014) was even better than 2013. Hope to enroll with you in 2015."
Terry Silk

"I was taught by Jeffrey Hamilton, some years ago, I can tell you he is the BEST PERSON to teach you leadlighting, painting on glass and foiling... Whilst there in his old studio in Lane Cove, I and my fellow participants learnt many things from Jeff. The more difficult the pattern the more accomplished you will become. I know he pushed me to the limits."
Paul Brunyee

"Thanks so much for teaching such a great class. It was so much fun and it was great to be able to produce a completed stained glass hanging. I can't wait to start my next project!"
Suzi Gleeson

Cost: € 395 ex VAT.
Interested? Check out our webshop for more details.
Request a non-binding offer today!

tel: +31 (0)79.361.8154 / www.peliglass.eu / fax: +31 (0)79.361.8493
PELI Webshop

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After several months of intense work my new window illustrating Dorcas in a gesture of giving cloth to a pauper was installed into one of the last remaining openings at St Andrew's Presbyterian Church in Nowra, southern NSW. The window fitted quite well and installation proceeded relatively smoothly, with only a slight adjustment in the height required onsite.

The subject matter of Dorcas was a request from the donors, in consultation with Rev Fred Monckton, Parish Priest, as best representing the generous and giving nature of John and Joan Coulthart whom the window is in memory of. There was also a requirement to portray the old Presbyterian Church of Numbaa, which stood on the Coulthart's property some 20kms to the East of Nowra. A lot of research went into the design of the window, as is often the case. It was over a year ago that I drove down to Nowra to meet with the four Coulthart sisters and visit the Numbaa property. The old corrugated iron shed with its cast iron pillars still stands but the weatherboard and shingle porch has long since gone and the windows to the shed have been sheeted over. The building was erected as a Church in 1885.

I wanted my figure of Dorcas to be beautiful and compassionate and decided to attempt a recreation of an angel by William Morris and Edward Burne-Jones', changing the colours a little, without the wings and giving her a headscarf instead of flowers. As was common for the studio, more than one window was created from this same design. My figure of the pauper is based on a frescoe showing St Cecilia by Renaissance painter Lorenzo Costa. It seemed particularly appropriate as St Cecilia is shown divesting herself of all her possessions.

New window "Dorcas and the Pauper"New window "Dorcas and the Pauper"

External scaffolding with existing windowsExternal scaffolding with existing windows

Pete Whittaker onboard the internal scaffoldingPete Whittaker onboard the internal scaffolding

Top arch removed, steel vent goingTop arch removed, steel vent going

Pete cleaning out stone chanelPete cleaning out stone chanel

New panels stacked in positionNew panels stacked in position

Adjustment to overall heightAdjustment to overall height

New window installedNew window installed

Outside shot of the new windowOutside shot of the new window

Detail of central figuresDetail of central figures

Detail of lower portionDetail of lower portion

Detail of top portion of windowDetail of top portion of window

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Having completed a rather exhaustive program of installations in the last few months of 2016 I am taking a break for two weeks, with the studio closed until Monday January 9th. We have already begun work on the new jobs however: shown above are the full-size charcoal cartoons for a private residence in Balmain and a memorial window for Nowra Presbyterian Church.

All of the glass for Nowra has been cut and waxed onto plates ready for painting. Most of the glass for the Balmain residence has also been cut and some of it already painted, with one small section built (below)

Thank you for visiting my website and reading my blog. I wish you peace and good cheer for the holiday season, wherever you might be in the world. See you with renewed energy later in 2017: HAPPY NEW YEAR!

DorcasDorcas

Balmain residenceBalmain residence

Glass cut and waxedGlass cut and waxed

Glass cut and waxedGlass cut and waxed

Glass cut and waxedGlass cut and waxed

Fanlight mostly cutFanlight mostly cut

Small door panel builtSmall door panel built

Door panel mostly cutDoor panel mostly cut

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As I mentioned in my previous blog, the studio has been insanely busy over the past 6x months or so. Yesterday I installed the last of this year's projects, a three-panelled bathroom window for a luxurious private residence in Sutton, NSW.

The beautiful finishes throughout the home include recycled timber, brick paving for interior flooring along with sanded beech in a herringbone pattern, cor-ten steel balustrades seen in the image above and exposed rammed earth walls. The client is a design consultant and approached me with the idea of making a window comprising slices of agate. But she also had an entirely different concept of a mechanical grid made up of a multitude of colours.

I suggested combining these two elements as a design solution: the organic crystal forms are thus suspended in the geometric grid.

Bathroom window, private residence Sutton NSWBathroom window, private residence Sutton NSW

Exterior view of the agate windowExterior view of the agate window

Interior view of the agate window showing the bathroomInterior view of the agate window showing the bathroom

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New Installations

19 Nov 2016

Over the past 6 months my major commission has been two double window sets for St Peter's Anglican Church in East Maitland. With the assistance of Ron Jensen of Heritage Stained Glass, New Lambton, his off-sider Anthony and my assistant Hannah, we got these four windows and their quatrafoils installed over four days last week.

Two weeks prior to this installation, I completed the installation of a pair of stained glass door panels to a family vault in Frenchs Forrest Cemetery.

The brief for this project called for renderings of the Coat of Arms of the City of Lombardo, Italy and St Aloysius School in North Sydney. I took as my lead the bold deco design of the facade, echoing the bronze, brass and black granite.

St Luke Anglican BuchananSt Luke Anglican Buchanan

St Barnabas East MaitlandSt Barnabas East Maitland

Excavating the old glassExcavating the old glass

Scaffold tower at St Peter'sScaffold tower at St Peter's

Knuckle boom hoist for the external workKnuckle boom hoist for the external work

Facade of the Bartalotta cryptFacade of the Bartalotta crypt

The bronze & stained glass doorsThe bronze & stained glass doors

Left hand panel: LombardoLeft hand panel: Lombardo

CMS added image

Right hand panel: AloysiusRight hand panel: Aloysius

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About 12 months ago I removed all the stained glass windows originally installed into old Chapel of the Anzac Village, Collaroy Plateau, by Philip Handel. My task was to come up with a design scheme which would be suitable for the new Chapel, satisfying the requirements of the architects, Humel Architects of Dee Why, while paying respect to the original artwork by Handel.

I knew at the start it would be a difficult job, and it has proven to be so. But with 6x of the 12 panels installed, people seem happy with the result thus far. In fact the new leadlight material surrounding Handel's pieces gives them a new life.

These six panels are installed as highlights either side of the entry corridor. They are photographed here while standing in the scaffold tower. The following snapshots give you some idea of the installation process.

I am still working on the remaining six panels, to be installed early in May. One of these six is actually an entirely new panel to make up the set and provide a symmetrical format for the back wall of the Chapel. The RSL has commissioned me to produce a window based on the image used in their website Soldier On: an interesting challenge!

Re-setting of Handel windowsRe-setting of Handel windows

Australian Commonwealth Military ForcesAustralian Commonwealth Military Forces

Panels 4, 5 and 6Panels 4, 5 and 6

Pedro on the scaffoldPedro on the scaffold

Viewed from outsideViewed from outside

Tying rods in placeTying rods in place

My work station onsiteMy work station onsite

Painting copper tiesPainting copper ties

Design sketch for Soldier On Design sketch for Soldier On

Completed windowCompleted window

Left hand side installedLeft hand side installed

Right hand sideRight hand side

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Camp Creative 2015

01 Feb 2015

On Thursday 8th January I loaded up the station wagon with glass, lead and tools from Australian Stained Glass Supplies in Leichhardt and headed North the next day toward Bellingen. I was booked to teach a group of 7x students the basic craft of leadlighting, aiming to instill a passion for stained glass; by the end of 5x days solid work I think I achieved that aim. Everyone enjoyed themselves and seemed to be pleasantly surprised by what they made during the week.

Camp Creative is held in Bellingen every year, with the whole town getting behind it. Around 1,000 students participate in everything from Chinese Calligraphy through Saxaphone and Drumming to making a fountain out of bamboo cut from the surrounding bush. Many students come back year after year, taking on different skills each time or pushing their previous course to new heights. I'll be back there in 2016 for sure.

Our Classroom (Morning of Day Four)Our Classroom (Morning of Day Four)

Cutting underwayCutting underway

Glass all cutGlass all cut

Cutting underwayCutting underway

Glass all cut & laid outGlass all cut & laid out

Cutting in progressCutting in progress

Finalising designFinalising design

Leading upLeading up

Leading upLeading up

SolderingSoldering

Checking for accuracyChecking for accuracy

Selecting glassSelecting glass

Cutting in progressCutting in progress

Laying out the glassLaying out the glass

Morning of the Final DayMorning of the Final Day

Completed workCompleted work

Completed workCompleted work

Completed workCompleted work

Completed workCompleted work

Completed workCompleted work

Completed workCompleted work

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A Tour of the Studio

06 Sep 2014

Last Saturday Diana Giese hosted a tour of stained glass in Sydney through Mosman Community College. The group looked at the beautiful windows of St John's Anglican Church in Paddington and St Benedict's Catholic Church at Broadway before heading to the Fish Markets for lunch. Then it was on to my place to view a stained glass practitioner in his studio and learn about the processes involved in making a window.

Karla Whitmore, who took the photo above, far right, was the stained glass historian accompanying the tour. She explained to the group some of the intricacies of the windows they were viewing. The other photos in this collection are by Daphne and Dom Gonzalves, the regular 'archivists' of the group. Diana leads 4x tours per year, each one focusing on a different aspect of Sydney.

By all accounts the group of 30x people enjoyed themselves immensely. It was a bit of a squeeze but after tidying up the place all through the previous week I managed to accommodate everyone, explaining all the various processess involved, starting with the making of art glass. Although I was quite exhausted afterward, it was a privilege and a pleasure to show the group around.

Karla Whitmore is a very knowledgable stained glass historian with several articles published on Ray Brown's website Stained Glass Australia.

The lively Diana Giese is an accomplished publisher and historian, with a collection held in the National Library of Australia. The group were just as fascinated by the building itself, with some venturing up onto the roof to view the graffiti gallery there, although the weather wasn't so great.

Mixed colour mouthblown sheetMixed colour mouthblown sheet

Discussing the design processDiscussing the design process

Mixed colour mouthblown sheetMixed colour mouthblown sheet

A Glass Artist's bicycleA Glass Artist's bicycle

Teaching cutting of glassTeaching cutting of glass

Demonstrating glass paintingDemonstrating glass painting

A view of the studioA view of the studio

Approach to my studio in Hibernian HouseApproach to my studio in Hibernian House

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Just opened last weekend: an exhibition of 5x of my works alongside a collection of pastel drawings and prints by Bek Rice featuring the local Glebe and Leichhardt areas. The link is the vibrancy and colour of the works, echoing the vibe of the area.

The Director of Glass Artists Gallery, Maureen Cahill recently moved the glass exhibition area up one level while maintaining the street level as an exhibition space available for hire. She will also curate occasional shows there herself (such as this one).

Sunday 6th July saw a good number of people arrive at the gallery to join in conversation with myself and Bek Rice. The Director Maureen Cahill firstly introduced us both and explained some historical associations and the rationale for the show. This was Bek's first time speaking to a group about her work but she handled it with aplomb, clearly demonstrating the passion that she has for her practice.

After some questions I took the floor with a brief background to my life as an artist, followed by some detailed analysis of the works on display and the making processes involved. There was some lively discusion, with some interesting questions and comments form the audience- many of whom were of course themselves arts practitioners.

Gauge/Glass Artists GalleryGauge/Glass Artists Gallery

Two large free-standing worksTwo large free-standing works

Diamond on the Wall No2Diamond on the Wall No2

Derived PieceDerived Piece

Gallery viewGallery view

Bek Rice discussing her workBek Rice discussing her work

Audience at the Artists TalksAudience at the Artists Talks

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I've been teaching stained glass and leadlight at Sydney Community College's Rozelle Campus for a year now; some very happy students have just completed the first term of 2014. It was a large class of 16x students but each one of them very enthusiastic and keen to learn the ins and outs of the craft.

Taking a break now for a short while; next Term starts at Rozelle campus 15th July, each Tuesday night from 6.30pm till 9pm. Cost is $349incl. GST For enrolments go to the SCC website

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The class (wk 7)The class (wk 7)

The class (wk 7)The class (wk 7)

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The Latest Happenings in my World

This blog is where you will find my latest news. It can range from posting images of progress of the current commission to art crit to political or social commentry, both national and international. Anything, basically, that's commanding my attention and I feel is worth sharing with you, my reader. Enjoy. My previous blog can be found at jeffreyhamilton.blogspot.com