18 Mar 2017
After several months of intense work my new window illustrating Dorcas in a gesture of giving cloth to a pauper was installed into one of the last remaining openings at St Andrew's Presbyterian Church in Nowra, southern NSW. The window fitted quite well and installation proceeded relatively smoothly, with only a slight adjustment in the height required onsite.
The subject matter of Dorcas was a request from the donors, in consultation with Rev Fred Monckton, Parish Priest, as best representing the generous and giving nature of John and Joan Coulthart whom the window is in memory of. There was also a requirement to portray the old Presbyterian Church of Numbaa, which stood on the Coulthart's property some 20kms to the East of Nowra. A lot of research went into the design of the window, as is often the case. It was over a year ago that I drove down to Nowra to meet with the four Coulthart sisters and visit the Numbaa property. The old corrugated iron shed with its cast iron pillars still stands but the weatherboard and shingle porch has long since gone and the windows to the shed have been sheeted over. The building was erected as a Church in 1885.
I wanted my figure of Dorcas to be beautiful and compassionate and decided to attempt a recreation of an angel by William Morris and Edward Burne-Jones', changing the colours a little, without the wings and giving her a headscarf instead of flowers. As was common for the studio, more than one window was created from this same design. My figure of the pauper is based on a frescoe showing St Cecilia by Renaissance painter Lorenzo Costa. It seemed particularly appropriate as St Cecilia is shown divesting herself of all her possessions.
27 Dec 2016
Having completed a rather exhaustive program of installations in the last few months of 2016 I am taking a break for two weeks, with the studio closed until Monday January 9th. We have already begun work on the new jobs however: shown above are the full-size charcoal cartoons for a private residence in Balmain and a memorial window for Nowra Presbyterian Church.
All of the glass for Nowra has been cut and waxed onto plates ready for painting. Most of the glass for the Balmain residence has also been cut and some of it already painted, with one small section built (below)
Thank you for visiting my website and reading my blog. I wish you peace and good cheer for the holiday season, wherever you might be in the world. See you with renewed energy later in 2017: HAPPY NEW YEAR!
08 Dec 2016
As I mentioned in my previous blog, the studio has been insanely busy over the past 6x months or so. Yesterday I installed the last of this year's projects, a three-panelled bathroom window for a luxurious private residence in Sutton, NSW.
The beautiful finishes throughout the home include recycled timber, brick paving for interior flooring along with sanded beech in a herringbone pattern, cor-ten steel balustrades seen in the image above and exposed rammed earth walls. The client is a design consultant and approached me with the idea of making a window comprising slices of agate. But she also had an entirely different concept of a mechanical grid made up of a multitude of colours.
I suggested combining these two elements as a design solution: the organic crystal forms are thus suspended in the geometric grid.
19 Nov 2016
Over the past 6 months my major commission has been two double window sets for St Peter's Anglican Church in East Maitland. With the assistance of Ron Jensen of Heritage Stained Glass, New Lambton, his off-sider Anthony and my assistant Hannah, we got these four windows and their quatrafoils installed over four days last week.
Two weeks prior to this installation, I completed the installation of a pair of stained glass door panels to a family vault in Frenchs Forrest Cemetery.
The brief for this project called for renderings of the Coat of Arms of the City of Lombardo, Italy and St Aloysius School in North Sydney. I took as my lead the bold deco design of the facade, echoing the bronze, brass and black granite.
22 Apr 2015
About 12 months ago I removed all the stained glass windows originally installed into old Chapel of the Anzac Village, Collaroy Plateau, by Philip Handel. My task was to come up with a design scheme which would be suitable for the new Chapel, satisfying the requirements of the architects, Humel Architects of Dee Why, while paying respect to the original artwork by Handel.
I knew at the start it would be a difficult job, and it has proven to be so. But with 6x of the 12 panels installed, people seem happy with the result thus far. In fact the new leadlight material surrounding Handel's pieces gives them a new life.
These six panels are installed as highlights either side of the entry corridor. They are photographed here while standing in the scaffold tower. The following snapshots give you some idea of the installation process.
I am still working on the remaining six panels, to be installed early in May. One of these six is actually an entirely new panel to make up the set and provide a symmetrical format for the back wall of the Chapel. The RSL has commissioned me to produce a window based on the image used in their website Soldier On: an interesting challenge!
01 Feb 2015
On Thursday 8th January I loaded up the station wagon with glass, lead and tools from Australian Stained Glass Supplies in Leichhardt and headed North the next day toward Bellingen. I was booked to teach a group of 7x students the basic craft of leadlighting, aiming to instill a passion for stained glass; by the end of 5x days solid work I think I achieved that aim. Everyone enjoyed themselves and seemed to be pleasantly surprised by what they made during the week.
Camp Creative is held in Bellingen every year, with the whole town getting behind it. Around 1,000 students participate in everything from Chinese Calligraphy through Saxaphone and Drumming to making a fountain out of bamboo cut from the surrounding bush. Many students come back year after year, taking on different skills each time or pushing their previous course to new heights. I'll be back there in 2016 for sure.
06 Sep 2014
Last Saturday Diana Giese hosted a tour of stained glass in Sydney through Mosman Community College. The group looked at the beautiful windows of St John's Anglican Church in Paddington and St Benedict's Catholic Church at Broadway before heading to the Fish Markets for lunch. Then it was on to my place to view a stained glass practitioner in his studio and learn about the processes involved in making a window.
Karla Whitmore, who took the photo above, far right, was the stained glass historian accompanying the tour. She explained to the group some of the intricacies of the windows they were viewing. The other photos in this collection are by Daphne and Dom Gonzalves, the regular 'archivists' of the group. Diana leads 4x tours per year, each one focusing on a different aspect of Sydney.
By all accounts the group of 30x people enjoyed themselves immensely. It was a bit of a squeeze but after tidying up the place all through the previous week I managed to accommodate everyone, explaining all the various processess involved, starting with the making of art glass. Although I was quite exhausted afterward, it was a privilege and a pleasure to show the group around.
Karla Whitmore is a very knowledgable stained glass historian with several articles published on Ray Brown's website Stained Glass Australia.
The lively Diana Giese is an accomplished publisher and historian, with a collection held in the National Library of Australia. The group were just as fascinated by the building itself, with some venturing up onto the roof to view the graffiti gallery there, although the weather wasn't so great.
Just opened last weekend: an exhibition of 5x of my works alongside a collection of pastel drawings and prints by Bek Rice featuring the local Glebe and Leichhardt areas. The link is the vibrancy and colour of the works, echoing the vibe of the area.
The Director of Glass Artists Gallery, Maureen Cahill recently moved the glass exhibition area up one level while maintaining the street level as an exhibition space available for hire. She will also curate occasional shows there herself (such as this one).
Sunday 6th July saw a good number of people arrive at the gallery to join in conversation with myself and Bek Rice. The Director Maureen Cahill firstly introduced us both and explained some historical associations and the rationale for the show. This was Bek's first time speaking to a group about her work but she handled it with aplomb, clearly demonstrating the passion that she has for her practice.
After some questions I took the floor with a brief background to my life as an artist, followed by some detailed analysis of the works on display and the making processes involved. There was some lively discusion, with some interesting questions and comments form the audience- many of whom were of course themselves arts practitioners.
13 Apr 2014
I've been teaching stained glass and leadlight at Sydney Community College's Rozelle Campus for a year now; some very happy students have just completed the first term of 2014. It was a large class of 16x students but each one of them very enthusiastic and keen to learn the ins and outs of the craft.
Taking a break now for a short while; next Term starts at Rozelle campus 15th July, each Tuesday night from 6.30pm till 9pm. Cost is $349incl. GST For enrolments go to the SCC website
07 Apr 2014
Over the weekend of 28th, 29th, 30th March I took part in the Designers On Show exhibition held each year in the Turramurra Masonic Centre on the Pacific Highway at Turramurra. The centre has two exhibition halls accessed via a common entry foyer. It was my task to design and hang the entry foyer exhibition and then play host over the weekend, meeting and greeting visitors as they arrived.
The entry foyer was my exhibition space; I didn't have a display stall in the show as did the other exhibitors. In this way I was able to integrate my work into the building and take advantage of discreet spaces not otherwise utilized. It made for a strong impression when entering and also when leaving the Show.
Other exhibitors in the Show included Mark Jones [leather], Carol Page [bespoke shoes], Alice Leda Pettirosso [merino woollen garments], Denise Smith [lampworked glass beads], Jane Stapleford [watercolours], Bob Taber [jewellery], John Hablitschek [jewellery], Jane Slicer-Smith [hand-knits], Lyn Hart [ceramics] and many other former exhibitors from the former Australian Craft Show run by Bibby and Shields from 1984 thru to 1999 at variou svenues but primarily the old Sydney Showgrounds at Moore Park. We were also supported by Craft Arts International who had a stand displaying their magazines in the foyer.
The Latest Happenings in my World
This blog is where you will find my latest news. It can range from posting images of progress of the current commission to art crit to political or social commentry, both national and international. Anything, basically, that's commanding my attention and I feel is worth sharing with you, my reader. Enjoy. My previous blog can be found at jeffreyhamilton.blogspot.com
- X~stasis @ 107 Projects
- Glass + Wind: Mark Elliott @ 107 POrojects
- Successful Installation at Nowra Presbyterian
- VALE Peter Travis AM
- And now back on deck
- Work in Progress -but taking a break
- But Wait, There's More!
- New Installations
- Transfiguration:L An Exhibition of Icons by Michael Gallovic
- Vale Mark Brabham