2018 in Review

21 Dec 2018

Its been a big year. The continuing project for new stained glass windows in the clerestory of St Peter's Anglican Church at East Maitland, NSW for which I installed two windows in 2016 and two in 2017, required three windows this year.

2016 & 2017 clerestory windows2016 & 2017 clerestory windows

I did manage to squeeze in a solo exhibition at m2 Gallery in Surry Hills mid-September, just prior to the late October installation at East Maitland. I was rather desperate to exhibit as this was my first solo show in over a decade. I am pleased it was so well received, despite falling on the same weekend as Sydney Contemporary at Carriageworks.

Large Single VesselLarge Single Vessel

Solo exhibition m2 GallerySolo exhibition m2 Gallery

The beginning of the year saw the team rebuild and install 12x decorative leadlight windows from the Oxford Room of St Mathias' Anglican Church in Paddington, having excavated the original windows the previous December. These leadlights were in the worst condition I have ever come across, and everyone in the Parish community was thrilled with the result.

St Matthias window prior to restorationSt Matthias window prior to restoration

The main Oxford Room windows after restorationThe main Oxford Room windows after restoration

With the St Matthias project underway I was concentrating on completing a new window for Wesley Uniting Church in Forrest, ACT with a very specific (and consequently rather difficult) brief. Featuring an angel bearing a lit candle, it was installed end of January after a long gestation.

Angel Bearing Light, Wesley UnitingAngel Bearing Light, Wesley Uniting

Also in Jan/Feb I made a residential fanlight for a couple in Newtown which featured a lyrebird. They own a bush block up on the Central Coast of NSW frequented by lyrebirds and wanted to make special note of that in the Newtown property.

Lyrebird fanlight NewtownLyrebird fanlight Newtown

As soon as St Matthias was completed mid-February, the studio got underway with restoration of two lancets from a 5x lancet set of ornamental stained glass in what is now the Chinese Christian Church in Milson's Point. Completed in 1888, this handsome Victorian Gothic building was formerly a Congregational Church and the windows, on the point of collapse until we got them out, are quite pretty.

Reconstruction underwayReconstruction underway

Completed windowsCompleted windows

While all that was going on, I got away for two weeks in April/May with my boyfriend to Vietnam, travelling to Saigon, Da Nang and Nha Trang; it was my first trip to an Asian country and I had a great time.

So yeah, 2018 was a big year, finishing on a busy session of installations for a residential client in Balmain, restoration of a John Ashwin window from St James Catholic Church in Glebe and removal of the Main Hall windows at St Matthias Paddington, to be rebuilt early in 2019. There were various other smaller jobs throughout the year as well, and in amongst it all, slowly but surely Jon Doe and I made progress on a collaborative work which will be constructed in January for the exhibition titled INTERCHANGE at M16 Gallery in Griffith, ACT in February 2019. This exhibition will be a satellite show concurrent with the Ausglass/NZGAS CoLab Conference in Whanganui, NZ

Concept drawing by Jon DoeConcept drawing by Jon Doe

Progress shotProgress shot

Conversion of St PaulConversion of St Paul

The studio has been working on a series of windows for St Peter's Anglican Church in East Maitland, NSW for the past three years. In 2016 we installed two double lancet sets to the clerestory, two in 2017 and two more this year, which completes the set of six windows commemorating the six regional Parish Churches in the mother cathedral. And this year we also produced a third double lancet window, shown above, illustrating the Conversion of St Paul on the road to Damascus

The two new double window sets viewed from the scaffoldThe two new double window sets viewed from the scaffold

St Andrew's at Largs with St Andrew and his crossSt Andrew's at Largs with St Andrew and his cross

Detail of St PeterDetail of St Peter

Detail of St AndrewDetail of St Andrew

St Andrew's Church LargsSt Andrew's Church Largs

Old St Peter's ChurchOld St Peter's Church

View showing relationship of new windows to last year's installView showing relationship of new windows to last year's install

View from the scaffold showing 2nd scaffold towerView from the scaffold showing 2nd scaffold tower

As in the earlier windows of this set, I drew inspiration from historical reference points: for St Peter a Baroque sculpture by Pierre Etienne Monnot found in the Church of San Giovanni Lateranno in Rome and for St Andrew a sculpture by the little known artist Domenico Guido in Sant Andrea della Valle in Rome

Full size charcoal cartoonFull size charcoal cartoon

Charcoal cartoon for St Andrew windowCharcoal cartoon for St Andrew window

S. Pietro by P.E. MonnotS. Pietro by P.E. Monnot

San Andreas by Domenico GuidoSan Andreas by Domenico Guido

For the design of the St Paul window I decided it was necessary to cast the image across both lancets, ignoring the stone mullion between. The Conversion of St Paul on the Road to Damascus has been painted by many different artists; a Google search will reveal hundreds. I drew inspiration from both Caravaggio and Ludovico Carracci., combining elements of each painting. The Sword of Truth in the quatrafoil above represents Paul's instrument of martyrdom.

Carracci's prone figure of St Paul Carracci's prone figure of St Paul

Caravaggio's vision of St PaulCaravaggio's vision of St Paul

Installing the panelsInstalling the panels

The Sword of TruthThe Sword of Truth

UNPUBLISHED [and rarely seen] WORKS

THURSDAY 13th- MONDAY 17th SEPTEMBER 2018

Triptych [Three new tracks]Triptych [Three new tracks]

Apart from a small two-person show at Glass Artists/Gauge Gallery in Glebe in 2016, this is my first solo for many years. The exhibition will comprise Works on Paper, Collage/Assemblage and Stained Glass.

Technically many of the works are not "Unpublished" at all, since they
feature on this website. But they have not been exhibited in a physical gallery before, hence the title. Some have had one or two outings in the past couple of decades, in group shows around the country, and three damaged works have been especially restored for this show. There will be one completely new work in stained glass.

ProgressivoProgressivo

m2 Gallery is located at 450 Elizabeth Street, Surry Hills, not far up the hill from my workshop at Central. It is a well-managed hire-space that has featured some excellent artists over the past few years. I will be in attendance for the 5x days of the show so if you are in Sydney please make an effort to drop in between 9am - 6.30 pm Thursday- Monday.

Untitled 1989 [restored 2018]Untitled 1989 [restored 2018]

The Masters at Opening Night, Wed 31st JanThe Masters at Opening Night, Wed 31st Jan

Sabbia Gallery of Paddington in Sydney kicked off 2018 with a resoundingly successful iteration of their annual Masters series, this one titled Sketch. Some of the participating artists responded enthusiastically to the theme, others more obliquely or perhaps not at all.

Matthew CurtisMatthew Curtis

Lisa CahillLisa Cahill

Certainly Matthew Curtis is on the former category with his "Neodymium and Grey Incline" shown above, with a cut-out photograph of him drawing on the floor with his dogs curled around him making what appears to be a shadow cast by the glass tower.

Galia AmsellGalia Amsell

Giles BettisonGiles Bettison

Giles Bettison on the other hand has chosen to show us in intricate detail the planning that went into the making of "Chroma 2018 #4" as a framed sketch, while Tom Rowney has sketched the form he has made for the exhibition.

Tom RowneyTom Rowney

Jenni Kemarre MartinielloJenni Kemarre Martiniello

Showing by far the largest piece in the exhibition, Jenni Kemarre Martiniello has drawn into and onto the glass and inscribed the names of fallen Indigenous soldiers into her "Gallipoli Pole, 2015"

Maureen WilliamsMaureen Williams

Kirstie RaeKirstie Rae

Nick MountNick Mount

Me with my three students in the design roomMe with my three students in the design room

As part of my 5x week exploration of stained glass in Europe, I was invited to teach a workshop for Peli Glass in Zoetemeer, a suburb of The Hague, looking at principals of design as they apply to stained glass and glass painting in particular. It was a small workshop, with only three students, but no less exhausting for that.

We began on the Friday evening with a slide show and a session examining basic design through additive composition, the results of which can be seen in the group photo above.

Series of quick sketches of the Still LifeSeries of quick sketches of the Still Life

Saturday morning kicked off with a series of quick sketches in brush & ink and then charcoal (above) to loosen up and familiarise themselves with the still life, the subject of a longer study in graphite and/or charcoal.

A longer studyA longer study

The students were then set the task of converting this drawing into something that could be cut out of glass, all the while deciding what is to be painted and what defined by leadlines.

Making a lead drawing from the sketchMaking a lead drawing from the sketch

Converting the lead drawing to a cutlineConverting the lead drawing to a cutline

Cutting glass for the projectCutting glass for the project

Once the glass had been selected and all cut, students then placed theglass assembly over the original long study and began to paint the trace line.

Lisas workLisas work

Heinz's workHeinz's work

Ilona's workIlona's work

Matting the piecesMatting the pieces

Secondary exerciseSecondary exercise

We were certainly lucky having a well-equipped workshop to work in. It
meant that several firings could be accomplished in a day as well as
overnight. This allowed for another exercise to run concurrently, something much more free and experimental.

The three Free-form projects firedThe three Free-form projects fired

Lisa's final firingLisa's final firing

Heinz's final firingHeinz's final firing

Ilona's final firingIlona's final firing

There wasn't time of course to actually build the panels but I was certainly pleased with the results and each student went away with a head full of new ideas and techniques. And I continued on my journey, catching the train back to Amsterdam to see firstly the Rijksmusem, then Cobra and Jan van der Togt Galleries before catching a train to Paris for 12x days.

My whole European sabbatical was structured around this workshop at Peli. It was the trip of a lifetime, with enough inspiration & photographs to fill twenty blogs!

Three vessels from the Skin Deep seriesThree vessels from the Skin Deep series

Internationally renowned glass artist Clare Belfrage has a new solo show currently on display at Paddington's Sabbia Gallery. These works are a lovely iteration of the subtle and refined beauty for which Clare is known. These beautifully formed vessels are full of grace. The delicate almost-matte surfaces absorb light and contribute to their quiet but powerful presence.

Director Anna Grigson introducing Gabriella BisettoDirector Anna Grigson introducing Gabriella Bisetto

Drawing Out Time opened on Wednesday 15th Nov, with an address delivered by Gabriella Bisetto, Head of the Glass Workshop at the South Australian School of Art, Art Architecture and Design , University of South Australia. An accomplished glass artist in her own right, Gabriella spoke eloquently about Clare's work and the accomplishments of the Australian contemporary glass community.

Quiet ShiftingQuiet Shifting

SheddingShedding

Gabriella & ClareGabriella & Clare

Clare & myselfClare & myself

Closing December 9th, this is a delightful exhibition and well worth a visit.

GLAAS INC is staging a festival of glass events, GLAAS@Melbourne Polytechnic throughout the month of September, with talks by professional glass practitioners, a market, 'fringe' events and an exhibition. I'll have several pieces in the exhibition, the two shown below as well as a B&W drawing. The exhibition opens Friday 8th Sept, 5pm -7pm and launches the whole event.

Glass Painting No.5Glass Painting No.5

TrioTrio

On Saturday afternoon, 9th Sept. I will be performing a live glass and mixed-media sculpture to the accompaniment of live drumming (Melbourne Polytechnic has a course which includes drumming and circus performance among other things).

Large VaseLarge Vase

Mount VaseMount Vase

The two sculptures shown above are examples of the sort of work I will be creating for the Melbourne event, although the new piece will stand at least 2metres tall and incorporate found object: large eucalypt branches collected form a nearby park I expect.

When offered the opportunity of designing a widow featuring dolphins, I admit I hesitated. Could I achieve something fresh here? Is it even possible to avoid cliche with this subject matter? The clients had something quite specific in mind, an image of a window found on the internet, one which was quite well designed in fact. Well, I thoroughly enjoyed the process and I think I managed to make something worthwhile: you be the judge.

Dolphin windowDolphin window

2.5 days with guest instructor Australian artist Jeff Hamilton
Friday evening-Saturday-Sunday: 20, 21, 22 October 2017
Zoetermeer, NL (near Den Haag).

This workshop will provide the opportunity to bring your work to new levels and tap into new creativity in stained glass design. Come with an open mind!

Workshop presented in English. Minimum 4, maximum 6 persons.

Instructor: Jeffrey Hamilton, Hamilton Design Glass, Surry Hills NSW, Australia
"Jeffrey Hamilton is an artist with more than 30 years experience. He is passionate about most forms of art and specifically painted glass. He graduated in 1974 with a diploma in Interior Design from Randwick College where attention to detail and fine craftsmanship was emphasized. In 1979 he began training as a glass painter, first concentrating on religious windows. Over the years he has been hugely involved with, and inspired by, the art scene in Sydney".

Workshop participants must have some experience in stained glass design / glass cutting, and stained glass painting.

Objectives:
- To consider design as it applies to stained glass
- To complete several challenging and practical exercises that will focus the mind and provide the opportunity to apply experimental ideas
- To facilitate comparative analysis amongst one's peers, and so lay the groundwork for unexpected insights
- To establish an appreciation of drawing as a core practice

During the workshop participants will be provided with: paints, mediums, glass, use of the kilns, food, drinks/coffee.

A workshop participant is entitled to a 10% discount on all paintbrushes, 5% discount on all sets, and 10% discount on all paints in stock purchased from PELI Glass. This is valid from time of payment until one month after the workshop.

Testimonials for Jeff Hamilton

"Wanted to let you know how impressed I am with your course. Will be referring you to the committee in my survey response... From you we received great tuition, well structured, very well prepared and very personable. As a bonus we were given insights into the technical aspects of stained glass and its history. This year's course (2014) was even better than 2013. Hope to enroll with you in 2015."
Terry Silk

"I was taught by Jeffrey Hamilton, some years ago, I can tell you he is the BEST PERSON to teach you leadlighting, painting on glass and foiling... Whilst there in his old studio in Lane Cove, I and my fellow participants learnt many things from Jeff. The more difficult the pattern the more accomplished you will become. I know he pushed me to the limits."
Paul Brunyee

"Thanks so much for teaching such a great class. It was so much fun and it was great to be able to produce a completed stained glass hanging. I can't wait to start my next project!"
Suzi Gleeson

Cost: € 395 ex VAT.
Interested? Check out our webshop for more details.
Request a non-binding offer today!

tel: +31 (0)79.361.8154 / peliglass.eu / fax: +31 (0)79.361.8493
PELI Webshop

An`a Wojak in the zone @ 107An`a Wojak in the zone @ 107

In March I responded to an invitation to witness a performance by my friend AñA Wojak at Redfern's 107 Projects. Being photographer was incredibly intimate; I was with her all the way, feeling (almost) what she was feeling. Extraordinary, exhausting, it was an absolute honour

Preparing the spacePreparing the space

CMS added image

DemarcationDemarcation

Water and wineWater and wine

Preparing the spacePreparing the space

BlessingBlessing

PiercingPiercing

AttachingAttaching

Achieving ecstasyAchieving ecstasy

DoneDone

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The Latest Happenings in my World

This blog is where you will find my latest news. It can range from posting images of progress of the current commission to art crit to political or social commentary, both national and international. Anything, basically, that's commanding my attention and I feel is worth sharing with you, my reader. Enjoy. My previous blog can be found at jeffreyhamilton.blogspot.com