Back on deck: more progress shots

24 Jan2017

Painted waratah for BalmainPainted waratah for Balmain

So its back in the saddle with lots of glass painting underway. Above is the central motif for the Balmain entryway, just finished after 6x firings, and below the first trace for the scrollwork in the arched portion of the Dorcas window to be installed into Nowra Presbyterian Church

First firing of scroll, Nowra PresbyterianFirst firing of scroll, Nowra Presbyterian

Inscription for Nowra PresbyterianInscription for Nowra Presbyterian

Completed fanlightCompleted fanlight

The fanlight for the Balmain residence has just been built (above). Pictured below are close-ups of the two bird paintings. While the general approach of the design has been quite traditional, I've aimed to keep the painting fresh and forward-looking rather than imitating what can be seen as drab traditional work. Part of this decision-making was not giving the birds a matted background.

Golden whistlerGolden whistler

Mistletoe birdMistletoe bird

The past fortnight hasn't been completely all work and no play -its still January after all, but I'm afraid I won't be heading off to Canberra this week for the Ausglass Conference, nor dancing my feet off at Electric Gardens for the Australia Day celebrations on Saturday (as much as I would LOVE to).

There's still a lot of painting to go for the Dorcas window for Nowra Presbyterian and the donors have been extremely patient with me already... can't keep them waiting!

But I did get along to a couple of Sydney Festival events: SPECTRA at the Seymour Centre was spectacular, truly inspiring and captivating with a set by Tatsu Miyajima, Mongolian throat singing, and superb coreography. Fortunately I had spent a whole day at the AGNSW and then MCA in the week between Xmas/New year so I'd seen the Miyajima exhibition and was thrilled to see his work used in a live performance situation. Made it so much more meaningful for me. [More on Miyajima in my next blog]

And the other fascinating performance I caught as part of Sydney Festival was Long String Instrument at Sydney Town Hall. Contrasting completely with the hectic, even tortured though engaging cello work preceeding the main act, Ellen Fullman's performance was totally mesmerising and meditative

This entry was posted on Tuesday, January 24th, 2017 at 8:35 pm painted and fired glass, ecclesiastic stained glass

blog comments powered by Disqus

Subscribe

Subscribe by RSS

The Latest Happenings in my World

This blog is where you will find my latest news. It can range from posting images of progress of the current commission to art crit to political or social commentry, both national and international. Anything, basically, that's commanding my attention and I feel is worth sharing with you, my reader. Enjoy. My previous blog can be found at jeffreyhamilton.blogspot.com