Me with my three students in the design roomMe with my three students in the design room

Series of quick sketches of the Still LifeSeries of quick sketches of the Still Life

A longer studyA longer study

Making a lead drawing from the sketchMaking a lead drawing from the sketch

Converting the lead drawing to a cutlineConverting the lead drawing to a cutline

Cutting glass for the projectCutting glass for the project

Lisas workLisas work

Heinz's workHeinz's work

Ilona's workIlona's work

Matting the piecesMatting the pieces

Secondary exerciseSecondary exercise

The three Free-form projects firedThe three Free-form projects fired

Lisa's final firingLisa's final firing

Heinz's final firingHeinz's final firing

Ilona's final firingIlona's final firing

Three vessels from the Skin Deep seriesThree vessels from the Skin Deep series

Internationally renowned glass artist Clare Belfrage has a new solo show currently on display at Paddington's Sabbia Gallery. These works are a lovely iteration of the subtle and refined beauty for which Clare is known. These beautifully formed vessels are full of grace. The delicate almost-matte surfaces absorb light and contribute to their quiet but powerful presence.

Director Anna Grigson introducing Gabriella BisettoDirector Anna Grigson introducing Gabriella Bisetto

Drawing Out Time opened on Wednesday 15th Nov, with an address delivered by Gabriella Bisetto, Head of the Glass Workshop at the South Australian School of Art, Art Architecture and Design , University of South Australia. An accomplished glass artist in her own right, Gabriella spoke eloquently about Clare's work and the accomplishments of the Australian contemporary glass community.

Quiet ShiftingQuiet Shifting

SheddingShedding

Quiet Shifting

Shedding: the newest works

Gabriella & ClareGabriella & Clare

Clare & myselfClare & myself

Quiet Shifting

Shedding: the newest works

Closing December 9th, this is a delightful exhibition and well worth a visit.

GLAAS INC is staging a festival of glass events, GLAAS@Melbourne Polytechnic throughout the month of September, with talks by professional glass practitioners, a market, 'fringe' events and an exhibition. I'll have several pieces in the exhibition, the two shown below as well as a B&W drawing. The exhibition opens Friday 8th Sept, 5pm -7pm and launches the whole event.

Glass Painting No.5Glass Painting No.5

TrioTrio

On Saturday afternoon, 9th Sept. I will be performing a live glass and mixed-media sculpture to the accompaniment of live drumming (Melbourne Polytechnic has a course which includes drumming and circus performance among other things).

Large VaseLarge Vase

Mount VaseMount Vase

The two sculptures shown above are examples of the sort of work I will be creating for the Melbourne, although the new piece will stand at least 2metres tall and incorporate found object: large eucalypt branches collected form a nearby park I expect.

Room to Let

22 Aug 2017

Within my stained glass studio in Hibernian House there is a 24sq metre self-contained space available for lease. The current tenant is moving out end of August.

The empty roomThe empty room

Entry foyer to 104BEntry foyer to 104B

With the annual increase of 5% built into my lease, the rent for this space will be $357/month from September. Ideally I'm looking for a fellow creative to share the space. The room is well-lit with high ceilings and would suit a variety of purposes. My next door neighbour is a noted performance artist and the other side is The Preachers' rehearsal studio.

View from the roofView from the roof

Hibernian House, Surry HillsHibernian House, Surry Hills

UPDATE

August 30th: The room has been taken

When offered the opportunity of designing a widow featuring dolphins, I admit I hesitated. Could I achieve something fresh here? Is it even possible to avoid cliche with this subject matter? The clients had something quite specific in mind, an image of a window found on the internet, one which was quite well designed in fact. Well, I thoroughly enjoyed the process and I think I managed to make something worthwhile: you be the judge.

Dolphin windowDolphin window

2.5 days with guest instructor Australian artist Jeff Hamilton
Friday evening-Saturday-Sunday: 20, 21, 22 October 2017
Zoetermeer, NL (near Den Haag).

This workshop will provide the opportunity to bring your work to new levels and tap into new creativity in stained glass design. Come with an open mind!

Workshop presented in English. Minimum 4, maximum 6 persons.

Instructor: Jeffrey Hamilton, Hamilton Design Glass, Surry Hills NSW, Australia
"Jeffrey Hamilton is an artist with more than 30 years experience. He is passionate about most forms of art and specifically painted glass. He graduated in 1974 with a diploma in Interior Design from Randwick College where attention to detail and fine craftsmanship was emphasized. In 1979 he began training as a glass painter, first concentrating on religious windows. Over the years he has been hugely involved with, and inspired by, the art scene in Sydney".

Workshop participants must have some experience in stained glass design / glass cutting, and stained glass painting.

Objectives:
- To consider design as it applies to stained glass
- To complete several challenging and practical exercises that will focus the mind and provide the opportunity to apply experimental ideas
- To facilitate comparative analysis amongst one's peers, and so lay the groundwork for unexpected insights
- To establish an appreciation of drawing as a core practice

During the workshop participants will be provided with: paints, mediums, glass, use of the kilns, food, drinks/coffee.

A workshop participant is entitled to a 10% discount on all paintbrushes, 5% discount on all sets, and 10% discount on all paints in stock purchased from PELI Glass. This is valid from time of payment until one month after the workshop.

Testimonials for Jeff Hamilton

"Wanted to let you know how impressed I am with your course. Will be referring you to the committee in my survey response... From you we received great tuition, well structured, very well prepared and very personable. As a bonus we were given insights into the technical aspects of stained glass and its history. This year's course (2014) was even better than 2013. Hope to enroll with you in 2015."
Terry Silk

"I was taught by Jeffrey Hamilton, some years ago, I can tell you he is the BEST PERSON to teach you leadlighting, painting on glass and foiling... Whilst there in his old studio in Lane Cove, I and my fellow participants learnt many things from Jeff. The more difficult the pattern the more accomplished you will become. I know he pushed me to the limits."
Paul Brunyee

"Thanks so much for teaching such a great class. It was so much fun and it was great to be able to produce a completed stained glass hanging. I can't wait to start my next project!"
Suzi Gleeson

Cost: € 395 ex VAT.
Interested? Check out our webshop for more details.
Request a non-binding offer today!

tel: +31 (0)79.361.8154 / www.peliglass.eu / fax: +31 (0)79.361.8493
PELI Webshop

An`a Wojak in the zone @ 107An`a Wojak in the zone @ 107

In March I responded to an invitation to witness a performance by my friend AñA Wojak at Redfern's 107 Projects. Being photographer was incredibly intimate; I was with her all the way, feeling (almost) what she was feeling. Extraordinary, exhausting, it was an absolute honour

Preparing the spacePreparing the space

CMS added image

DemarcationDemarcation

Water and wineWater and wine

Preparing the spacePreparing the space

BlessingBlessing

PiercingPiercing

AttachingAttaching

Achieving ecstasyAchieving ecstasy

DoneDone

Mark Elliott blowing a glass instrumentMark Elliott blowing a glass instrument

Glass sculptureGlass sculpture

An accomplished saxophonist himself, Mark Elliott deploys great humour and wit to his flameworking of glass sculpture. Mark's latest forays have been making sculptures that sound, some of them with remarkable notes.

Glass sculptureGlass sculpture

Blowing a glass instrumentBlowing a glass instrument

107 Projects in Redfern St Redfern are renowned for hosting quite left-field performances and exhibitions of multi-disciplinary artforms. Glass + Wind was one such event on Wednesday evening, 29th March, and continuing thru to April 9th 2017.

Playing a glass instrumentPlaying a glass instrument

Playing a glass instrumentPlaying a glass instrument

Hanging glass sculptureHanging glass sculpture

The sqwawkaphoneThe sqwawkaphone

Glass musical instrumentsGlass musical instruments

New window "Dorcas and the Pauper"New window "Dorcas and the Pauper"

After several months of intense work my new window illustrating Dorcas in a gesture of giving cloth to a pauper was installed into one of the last remaining openings at St Andrew's Presbyterian Church in Nowra, southern NSW. The window fitted quite well and installation proceeded relatively smoothly, with only a slight adjustment in the height required onsite.

External scaffolding with existing windowsExternal scaffolding with existing windows

Pete Whittaker onboard the internal scaffoldingPete Whittaker onboard the internal scaffolding

Top arch removed, steel vent goingTop arch removed, steel vent going

Pete cleaning out stone chanelPete cleaning out stone chanel

New panels stacked in positionNew panels stacked in position

Adjustment to overall heightAdjustment to overall height

New window installedNew window installed

Outside shot of the new windowOutside shot of the new window

The subject matter of Dorcas was a request from the donors, in consultation with Rev Fred Monckton, Parish Priest, as best representing the generous and giving nature of John and Joan Coulthart whom the window is in memory of. There was also a requirement to portray the old Presbyterian Church of Numbaa, which stood on the Coulthart's property some 20kms to the East of Nowra. A lot of research went into the design of the window, as is often the case. It was over a year ago that I drove down to Nowra to meet with the four Coulthart sisters and visit the Numbaa property. The old corrugated iron shed with its cast iron pillars still stands but the weatherboard and shingle porch has long since gone and the windows to the shed have been sheeted over. The building was erected as a Church in 1885.

Detail of central figuresDetail of central figures

Detail of lower portionDetail of lower portion

Detail of top portion of windowDetail of top portion of window

I wanted my figure of Dorcas to be beautiful and compassionate and decided to attempt a recreation of an angel by William Morris and Edward Burne-Jones', changing the colours a little, without the wings and giving her a headscarf instead of flowers. As was common for the studio, more than one window was created from this same design. My figure of the pauper is based on a frescoe showing St Cecilia by Renaissance painter Lorenzo Costa. It seemed particularly appropriate as St Cecilia is shown divesting herself of all her possessions.

Gathering at the Memorial ServiceGathering at the Memorial Service

On Wednesday 22nd Feb I attended the memorial service for Peter Travis, renown ceramist, visual artist, textile artist, educator and revolutionary designer, held at the main lecture theatre of the University of NSW School of Art & Design (formerly COFA) I was shocked actually when my neighbour Yiorgos Zafiriou dropped by to tell me of the event; I had not heard of Peter's passing in Nov 2016. The Sydney Morning Herald carried an obituary Dec 20th 2016 (lately I've been reading The Australian)

Peter Travis graciously opened my solo exhibition at Knot Gallery in 2002. The exhibition was my first for 10yrs and an umbrella event of the Sydney Gay Games. As Peter had some association with the members of Knot Gallery and was a well-known & respected figure in Sydney's gay community it seemed entirely appropriate, although I didn't really know him until that time.

We had actually met many years prior: Travis was a guest lecturer while I was a student at the National Art School. He was the first man I had seen who wore his hair in a pony tail! -being only 19 at the time it made quite an impression (though I realised much later of course that men's hair styling has gone through many fashions over many hundereds of years -but ponytails in Sydney in the early 70's were never seen).

David Williams toasting Peter TravisDavid Williams toasting Peter Travis

Grace Cochrane & Roger LeongGrace Cochrane & Roger Leong

The Memorial Service was well attended and included many VIP's of the craft arts industry. I had the opportunity later of chatting with Roger Leong, Senior Curator at Sydney's PowerHouse Museum, Grace Cochrane, a former Senior Curator at the Museum, and being introduced to Pamela Griffith, a print maker who's work I have admired for many years. The service itself was not a sad affair at all but a celebration of a gigantic talent. Travis has made a huge contribution to the arts scene of Australia and indeed was recognised internationally. His exploration of colour and movement through the construction of gigantic and decorative kites led to many commissions throughout the world, with some installations in hotel lobbies up to 10 stories high.

Peter Travis installationPeter Travis installation

Installation, foyer of lecture theatreInstallation, foyer of lecture theatre

At home Travis was engaged as the chief colour co-ordinator for the entire colour palette of the new Parliament House in Canberra. Perhaps his most famous creation of all is the men's swimming costume known as Speedos. He was made a Member of the Order of Australia in 2008 for his work as a designer, sculptor, ceramist, kite-maker and teacher.

Liz Williamson with Roger LeongLiz Williamson with Roger Leong

Helge LarsenHelge Larsen

Also amongst the guests at the Memorial Service were noted jewellery designer Helga Larsen and fibre artist Liz Williamson, Associate Professor at UNSW School of Art & Design.

In her address at the Memorial Service Grace Cochrane revealed that Peter's first studio was in the choir loft of a Church in Potts Point; he paid rent by playing the organ at services. Erudite and charming, a keen conversationalist and politically engaged, Peter Travis was a true Renaissance man. There is another interesting obituary you can read on the National Gallery of Australia's website

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The Latest Happenings in my World

This blog is where you will find my latest news. It can range from posting images of progress of the current commission to art crit to political or social commentary, both national and international. Anything, basically, that's commanding my attention and I feel is worth sharing with you, my reader. Enjoy. My previous blog can be found at jeffreyhamilton.blogspot.com